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Creative economy

Igor Logvinov: “It is time to strengthen the sound of Belarusian literature in the world”

Igor Logvinov: “It is time to strengthen the sound of Belarusian literature in the world”

The founder and director of the Logvinay publishing house in Minsk (Belarus) answers questions about the Belarusian book market, bestsellers, technology and the impact of the Nobel Prize in Literature

Nata Albot: Romanticism Aside – Culture Should Be Delivered in a Different Way

As a TV producer, Nata Albot nurtured in Moldova the taste for gastronomic talk-shows and discovery of new talents, and after years of experience in media management, she moved to a tangible area: organizing cultural events

How can you make money from creative space?

Pavel Iliushin, ex-executive director of Shchastie HUB, talks about the creative space as a business project: popular formats, the type of audiences, typical mistakes in promotion and the foundations of success

How to Be Successful in the field of theatrical art?

Simple guidelines from Vahan Badalyan, art director of Small Theatre of National Centre of Aesthetics and honoured artist of the Republic of Armenia

Why there are so few women in cultural management

In a joint interview, Elena Vacchelli, lecturer at the Middlesex School of Law (London), and Marion Roberts, professor of Urban Design at Westminster University (London), share their thoughts about the features of integration into a new cultural field and
10 inspiring case studies about culture and creative industries!

10 inspiring case studies about culture and creative industries!

The EU-Eastern Partnership Culture and Creativity Programme together with the leading Ukrainian online resource CULTURE | Ukrayinska Pravda, prepared a series of inspiring case studies
Museum Mascots, Yoga and an IMAX Theatre: European Museums for Everyone

Museum Mascots, Yoga and an IMAX Theatre: European Museums for Everyone

It is the norm to have wheelchairs available at the entrance, information printed in braille, tactile models present at exhibitions, and special programmes for families. This article is an attempt to show how this works in some museums in Europe

The Creative Economy in Europe: 5 Steps to Rise

How can we determine the edge of the creative industry? Where and in what to invest – at least our time? What should be ignored?

Conversion Experience: Islands of Creativity are Changing Europe

European countries have in fact already gained some experience of urban transformation in which cultural practices played a significant role. How did this take place in practice and is this experience relevant for Ukraine?

Non-Formal Education in Culture: Long-Term Deposits with High Returns

How the system of non-formal cultural education works in three European countries: the UK, France and Estonia, how it can interact with formal education and how these effects operate in the long run?

Digital poetry using the example of the Belarusian Buben&Baisan project

Ales Plotka, a Belarusian poet, discusses new trends in contemporary art in Belarus and gives tips on how to expand one’s audience, which will be useful for budding bands and music managers
Cultural Diplomacy: The Elegant Tandem of Arts and Politics

Cultural Diplomacy: The Elegant Tandem of Arts and Politics

Different states have different forms of collaboration with cultural institutions and these models have their advantages and disadvantages. Therefore, it is important to analyse them and select the most suitable for each particular case